And the nominees for the 80th Annual Academy Awards (Oscars) are….

Best motion picture of the year

• “Atonement” (Focus Features)
• “Juno” (Fox Searchlight)
• “Michael Clayton” (Warner Bros.)
• “No Country for Old Men” (Miramax and Paramount Vantage)
• “There Will Be Blood” (Paramount Vantage and Miramax)

Performance by an actor in a leading role

• George Clooney in “Michael Clayton” (Warner Bros.)
• Daniel Day-Lewis in “There Will Be Blood” (Paramount Vantage and Miramax)
• Johnny Depp in “Sweeney Todd The Demon Barber of Fleet Street” (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount)
• Tommy Lee Jones in “In the Valley of Elah” (Warner Independent)
• Viggo Mortensen in “Eastern Promises” (Focus Features)

Performance by an actor in a supporting role

• Casey Affleck in “The Assassination of Jesse James by the Coward Robert Ford” (Warner Bros.)
• Javier Bardem in “No Country for Old Men” (Miramax and Paramount Vantage)
• Philip Seymour Hoffman in “Charlie Wilson’s War” (Universal)
• Hal Holbrook in “Into the Wild” (Paramount Vantage and River Road Entertainment)
• Tom Wilkinson in “Michael Clayton” (Warner Bros.)

Performance by an actress in a leading role

• Cate Blanchett in “Elizabeth: The Golden Age” (Universal)
• Julie Christie in “Away from Her” (Lionsgate)
• Marion Cotillard in “La Vie en Rose” (Picturehouse)
• Laura Linney in “The Savages” (Fox Searchlight)
• Ellen Page in “Juno” (Fox Searchlight)

Performance by an actress in a supporting role

• Cate Blanchett in “I’m Not There” (The Weinstein Company)
• Ruby Dee in “American Gangster” (Universal)
• Saoirse Ronan in “Atonement” (Focus Features)
• Amy Ryan in “Gone Baby Gone” (Miramax)
• Tilda Swinton in “Michael Clayton” (Warner Bros.)

Best animated feature film of the year

• “Persepolis” (Sony Pictures Classics) Marjane Satrapi and Vincent Paronnaud
• “Ratatouille” (Walt Disney) Brad Bird
• “Surf’s Up” (Sony Pictures Releasing) Ash Brannon and Chris Buck

Achievement in art direction

• “American Gangster” (Universal), Art Direction: Arthur Max, Set Decoration: Beth A. Rubino
• “Atonement” (Focus Features), Art Direction: Sarah Greenwood, Set Decoration: Katie Spencer
• “The Golden Compass” (New Line in association with Ingenious Film Partners), Art Direction: Dennis Gassner, Set Decoration: Anna Pinnock
• “Sweeney Todd The Demon Barber of Fleet Street” (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount), Art Direction: Dante Ferretti, Set Decoration: Francesca Lo Schiavo
• “There Will Be Blood” (Paramount Vantage and Miramax), Art Direction: Jack Fisk, Set Decoration: Jim Erickson

Achievement in cinematography

• “The Assassination of Jesse James by the Coward Robert Ford” (Warner Bros.) Roger Deakins
• “Atonement” (Focus Features) Seamus McGarvey
• “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Janusz Kaminski
• “No Country for Old Men” (Miramax and Paramount Vantage) Roger Deakins
• “There Will Be Blood” (Paramount Vantage and Miramax) Robert Elswit

Achievement in costume design

• “Across the Universe” (Sony Pictures Releasing) Albert Wolsky
• “Atonement” (Focus Features) Jacqueline Durran
• “Elizabeth: The Golden Age” (Universal) Alexandra Byrne
• “La Vie en Rose” (Picturehouse) Marit Allen
• “Sweeney Todd The Demon Barber of Fleet Street” (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount) Colleen Atwood

Achievement in directing

• “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Julian Schnabel
• “Juno” (Fox Searchlight) Jason Reitman
• “Michael Clayton” (Warner Bros.) Tony Gilroy
• “No Country for Old Men” (Miramax and Paramount Vantage) Joel Coen and Ethan Coen
• “There Will Be Blood” (Paramount Vantage and Miramax) Paul Thomas Anderson

Best documentary feature

• “No End in Sight” (Magnolia Pictures)
• “Operation Homecoming: Writing the Wartime Experience” (The Documentary Group)
• “Sicko” (Lionsgate and The Weinstein Company)
• “Taxi to the Dark Side” (THINKFilm)
• “War/Dance” (THINKFilm)

Best documentary short subject

• “Freeheld”
• “La Corona (The Crown)”
• “Salim Baba”
• “Sari’s Mother” (Cinema Guild)

Achievement in film editing

• “The Bourne Ultimatum” (Universal) Christopher Rouse
• “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Juliette Welfling
• “Into the Wild” (Paramount Vantage and River Road Entertainment) Jay Cassidy
• “No Country for Old Men” (Miramax and Paramount Vantage) Roderick Jaynes
• “There Will Be Blood” (Paramount Vantage and Miramax) Dylan Tichenor

Best foreign language film of the year

• “Beaufort” A Metro Communications, Movie Plus Production, Israel
• “The Counterfeiters” An Aichholzer Filmproduktion, Magnolia Filmproduktion Production, Austria
• “Katy?” An Akson Studio Production, Poland
• “Mongol” A Eurasia Film Production, Kazakhstan
• “12” A Three T Production, Russia

Achievement in makeup

• “La Vie en Rose” (Picturehouse) Didier Lavergne and Jan Archibald
• “Norbit” (DreamWorks, Distributed by Paramount) Rick Baker and Kazuhiro Tsuji
• “Pirates of the Caribbean: At World’s End” (Walt Disney) Ve Neill and Martin Samuel

Achievement in music written for motion pictures (Original score)

• “Atonement” (Focus Features) Dario Marianelli
• “The Kite Runner” (DreamWorks, Sidney Kimmel Entertainment and Participant Productions, Distributed by Paramount Classics) Alberto Iglesias
• “Michael Clayton” (Warner Bros.) James Newton Howard
• “Ratatouille” (Walt Disney) Michael Giacchino
• “3:10 to Yuma” (Lionsgate) Marco Beltrami

Achievement in music written for motion pictures (Original song)

• “Falling Slowly” from “Once”
• “Happy Working Song” from “Enchanted”
• “Raise It Up” from “August Rush”
• “So Close” from “Enchanted”
• “That’s How You Know” from “Enchanted”

Best animated short film

• “I Met the Walrus”
• “Madame Tutli-Putli” (National Film Board of Canada)
• “Même Les Pigeons Vont au Paradis (Even Pigeons Go to Heaven)” (Premium Films)
• “My Love (Moya Lyubov)” (Channel One Russia)
• “Peter & the Wolf” (BreakThru Films)

Best live action short film

• “At Night”
• “Il Supplente (The Substitute)” (Sky Cinema Italia)
• “Le Mozart des Pickpockets (The Mozart of Pickpockets)” (Premium Films)
• “Tanghi Argentini” (Premium Films)
• “The Tonto Woman”

Achievement in sound editing

• “The Bourne Ultimatum” (Universal)
• “No Country for Old Men” (Miramax and Paramount Vantage)
• “Ratatouille” (Walt Disney)
• “There Will Be Blood” (Paramount Vantage and Miramax)
• “Transformers” (DreamWorks and Paramount in association with Hasbro)

Achievement in sound mixing

• “The Bourne Ultimatum” (Universal)
• “No Country for Old Men” (Miramax and Paramount Vantage)
• “Ratatouille” (Walt Disney)
• “3:10 to Yuma” (Lionsgate)
• “Transformers” (DreamWorks and Paramount in association with Hasbro)

Achievement in visual effects

• “The Golden Compass” (New Line in association with Ingenious Film Partners)
• “Pirates of the Caribbean: At World’s End” (Walt Disney)
• “Transformers” (DreamWorks and Paramount in association with Hasbro)

Adapted screenplay

• “Atonement” (Focus Features), Screenplay by Christopher Hampton
• “Away from Her” (Lionsgate), Written by Sarah Polley
• “The Diving Bell and the Butterfly” (Miramax/Pathé Renn), Screenplay by Ronald Harwood
• “No Country for Old Men” (Miramax and Paramount Vantage), Written for the screen by Joel Coen & Ethan Coen
• “There Will Be Blood” (Paramount Vantage and Miramax), Written for the screen by Paul Thomas Anderson

Original screenplay

• “Juno” (Fox Searchlight), Written by Diablo Cody
• “Lars and the Real Girl” (MGM), Written by Nancy Oliver
• “Michael Clayton” (Warner Bros.), Written by Tony Gilroy
• “Ratatouille” (Walt Disney), Screenplay by Brad Bird, Story by Jan Pinkava, Jim Capobianco, Brad Bird
• “The Savages” (Fox Searchlight), Written by Tamara Jenkins